Jill Stewart was brought up in rural Northumberland, surrounded by nature and colour, always noticing the tiny details that surround us. After University, city adventures and unsuitable jobs, she started to make things in the Nineties, and developed unique ways of working in brass, copper, silver and titanium. The clocks developed after she was challenged to make larger items than jewellery, and to really develop a colour palette using the effects of heat on different metals. After cutting out the shapes, a large flame is used to solder parts of the design together, but also makes copper go beautiful unpredictable shades of dark red, and changes the look of other metals, especially the etched parts. The handmade look is important, that you can tell an actual person worked closely with their materials here, not absolutely sure how each process would turn out.

There’s something about the contrast of textures of the different metals and etched parts that is so compelling. Metal is not always a hard shiny intractable thing - it can have a softer look, have variable colours created by the act of heating, can be a way of drawing in the air

I cut out all the shapes by hand and then assemble and solder them, creating colour effects with the heat. It is intricate and skilled work that takes me a long time!

Bird & Tree Clock in red

Free UK P&P

It is around 23cm high, that is 10 inches, and wall-mounted 

Cat with Flowers wall clock

Free UK P&P

The etched text says “Time to stand and stare”. It was inspired by my ancient cat who when not asleep used to stare at me from wherever she might be in the house or amongst the flowers in the garden.

It is around 18cm high, that is 8 inches, wall-mounted, and comes with a battery-powered clock movement.